Ricky was annoying, which was his job as the straight man. Lucy was brilliantly funny.Carroll was grouchy, but endearing. Lucy was just ... annoying.
Hey, how about Redd Foxx?
Ricky was annoying, which was his job as the straight man. Lucy was brilliantly funny.Carroll was grouchy, but endearing. Lucy was just ... annoying.
Ricky was annoying, which was his job as the straight man. Lucy was brilliantly funny.Carroll was a great actor (loved him in the Eastwood WWII flick) but I always found his writer/director a little too heavy handed on Family.
Hey, how about Redd Foxx?
No Carroll O'Connor?
Songs - I have tons of favorites, but tonight it's these four
Zebra - Tell Me What You Want
Aphrodite's Child - The Four Horseman
Simon & Garfunkel - The Boxer
Don McLean - American Pie
Listen to Aphrodite's Child, I think it was recorded in 69, amazing sound
Interesting.Classical Music Mount Rushmore
Haydn, Shostakovich, Chopin, Beethoven
Honorable: Prokofiev, Dvorak.
Modern Music Mount Rushmore
Bob Dylan, Peter Gabriel, Jack White, John Lennon
Honorable: Robert Plant, Jimmy Page, Paul & George, Fish (Marillion)
Mozart for me was spotty. Bach I could take or leave. Beethoven is wonderful. He and Chopin I was hooked on at a very early age.Interesting.
Mozart, Beethoven, Bach, have to be there, to my mind, though I mostly don't care for Bach until we get into his works for violin. Just a personal preference. After these three it's so open who knows? I love Dvorak and I'd probably add him to the fourth spot, though I recognize there are greater composers on the whole. His work in America was so transcendently rooted in that experience that it still makes me shake my head to hear how thoroughly he "got" us.
I originally started to put bands in the list and I have seen pics of Mount Rushmore and realized it would be way too crowded so went to the band member I liked the most.Town Heretic said:Rusmore of contemporary music, individually?
Town Heretic said:For me it's Paul Simon, Stevie Wonder, Bob Dylan...Lennon without Paul doesn't make the list and vice versa, but they have to be there, so they each get a half face.
Few people have had as long a run of great work as Simon. Fewer still have had the influence of Wonder. Dylan was just sublime and still is...L&M were game changers on a whole new level.
I've always been inordinately fond of Russian writers and composers. :thumb:Mozart for me was spotty. Bach I could take or leave. Beethoven is wonderful. He and Chopin I was hooked on at a very early age.
I love modern Russia composers. So much passion and nuance. It is hard to believe they could express those emotions in music. They expressed the Russian people's suffering under Stalin without getting carted off. Such must tension.
I suppose it depends on the standard we're using. Simon started out within the folk world, but he grew to include all sorts of influences, writing great songs well beyond those early limits and influencing other musicians to do the same. I think every artist is derivative, so that doesn't bother me and he incorporated other influences instead of copying them. We disagree on L&M. I think John was the more serious lyricist, but Paul had the better melodic ear. They were never as great apart. I think it was the perfect partnership. If you don't love Stevie I'm just genuinely sorry to hear it. He had social conscience combined with a remarkable ear for melody, harmonies and integration of styles. He's probably the most copied and echoing in modern music among our choices.John Lennon's work after The Beatles while not as prolific had the most staying power. I could listen over and over. Paul's work in too many cases was "silly little love songs". I enjoyed them but tired of them faster. So John won out. Paul Simon was brilliant but I felt he was a copier of styles and I could not un-see that. Stevie didn't float my boat.
Not going to get an argument from me on that one. I think he's equaled in particular compositions by a number of artists, but not in sum by any. Simon at his best could do it, for one. The Boxer is magnificent.Bob Dylan's lyrics are incredible. Even he said in a 60 minute interview he didn't know how he wrote some songs like "It's Alright, Ma". He had so many great songs in that early period. Perhaps you could venture a suggestion, but no one in the rock era could write lyrics like that. He was out there and untouchable.
If you don't love Stevie I'm just genuinely sorry to hear it. He had social conscience combined with a remarkable ear for melody, harmonies and integration of styles. He's probably the most copied and echoing in modern music among our choices.
First, isn't she lovely is about the miracle and response to the birth of a child. Anyway, a lot of the cannon, from Superstition to Higher Ground from Living for the City to I Wish, he wrote across human experience. His love songs were pretty good too and I don't have your aversion to them.I like to be challenged. His songs seems like Paul's to me anyway. Silly love songs - Isn't she lovely, I just called to say I love you, you are the sunshine of my life. What am I missing?
A close cousin of that one, in terms of message and feel is You Haven't Done Nothing, which is a rejection of political rhetoric without action, as Superstition is a rejection of blind belief that enslaves. Village Ghetto Land is a head shaking look at the poverty and its impact in the inner city. Black Man rings the bell of minority contributions and a cautionary note. Higher Ground is a philosophical declaration in the face of what's swirling around him. Other songs with a social conscience include Jesus Children of America, Misstra Know it All, Have a Talk With God, Cash In Your Face, Race Babbling, It's Wrong (Apartheid) to name a few.I do like the funkiness of Superstition.
Khoury League Baseball:I stand alone, as a pitcher, on the mount, by myself, as I once struck out 17 batters, in 5 innings, which is the average # of chicks, by which brother, and honorable Mayor STP, strikes out, on a typical weekend night.
I have to admit I never thought of books as a Rushmore, but why not?